Photo of Inuit print exhibit at The Writer's Center, Bethesda, MD, March 2020

l-r: I Am Always Thinking of Animals, 1973, by Simon Tookoome; Caribou Cape Dorset, 2007, by Ningiukulu Teevee; An Embarrassing Tumble, 1976, by Simon Tookoome

The Creative Narrative of Inuit Art: 

From Kinngait to Ulukhaktok

February 24 – March 22, 2020 | OPENING NIGHT TALK: March 5, 2020

The Writer’s Center, Bethesda, Maryland

It gives me great pleasure to bring together two of my great interests – Inuit art and the Writer’s Centers – for an evening of the arts. Please join Bernadette Engelstad, an independent curator and avid Inuit print collector, and me at The Writer’s Center in Bethesda, MD, on March 5 at 7PM, for the opening of an Inuit print exhibition.

The exhibition features works from Bernadette’s collection as well as mine. The evening will include an introduction to Inuit prints and sculptures, by Bernadette and myself.

In the meantime, check out my blogs on Inuit Art, and take a moment to explore the resources below.

Photo of Ningeokuluk Teevee standing before her print, Arnak Ammialu Aurivak, 2017
Ningeokuluk Teevee stands before Joram’s copy of her print, Arnak Ammialu Aurivak, during a 2017 visit to Washington, DC.

ABOUT THE EXHIBIT

The works on exhibit at the Writer’s Center provide an introduction to the remarkable history of Inuit art which continues to be produced by creative artists in communities across Arctic Canada.

Following the commercial release of the first print collection by Inuit artists in Kinngait (Cape Dorset) on south Baffin Island in 1959, printmaking programs developed in several Inuit communities across the Canadian Arctic, including Povungnituk, Inukjuak, Ulukhaktok (Holman), Qamannituaq (Baker Lake), Pangnirtung, and Clyde River.  In early days, artists often created their drawings in snowhouses and skin tents while hunting and fishing in family camps, bringing their work into town to be transformed by printmakers in the community artshop. 

For over 50 years, this historic collaboration between graphic artists and printmakers has created a compelling visual record of the social, cultural and economic changes that have taken place across the Canadian Arctic. Like the singers, storytellers, and poets before them, visual artists recall the knowing ways of animals and humans, the challenges of the hunt, the insights of elders, and the need for humor and playfulness in meeting the demands of everyday life. Many of the prints included in this exhibition are autobiographical, recalling the experience of living on the land, moving seasonally to fish and hunt caribou, seal, whales and walrus; the closeness of the family; the spiritual relationship between humans and animals; the ancestral cultural practice of shamanism; and, more recently, contemporary social issues facing the North.

– Bernadette Engelstad
Independent Curator/Inuit Art & Cultural History &
Research Collaborator/Arctic Studies Center, Smithsonian Institution

Radio Canada International‘s Eye on the Artic program featured a 2017 interview with Ningeokuluk Teevee.  Ningeokuluk reflects on her art and the changes in Inuit culture that are making their way into her prints.