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5 08, 2019

Confronting the Decline

By |2020-03-28T20:22:39-04:00August 5th, 2019|Categories: Blog, Perpectives|0 Comments

Imagine if Leonardo DaVinci believed he was too old to be creative. Think of the art we would not enjoy; after all, he did’t start the Mona Lisa until he was 62.

In a recent article in The Atlantic, Arthur Brooks talks about his research into the degree of happiness – satisfaction – in successful professionals as they age. Dean Keith Simonton, an expert on trajectories of creative careers, found that productivity increased the first 20 years and started declining thereafter. Started your career at 30? Prepare for decline after 50!

Oh my god, I’m in deep trouble. I continued doing science research until I was 69 and then stepped into a writing career. That wouldn’t be so bad, Brooks says, if I wasn’t too ambitious or expect to be successful anymore. Those days are gone, he says. The creative individuals do their best work in their 30s and 40s.

Does the creative spark really fizzle out?

22 07, 2019

Dead and Alive

By |2020-03-28T20:23:49-04:00July 22nd, 2019|Categories: Blog, Perpectives, Writing is how we explore our place in the world|0 Comments

Cover: Notes Going Underground by Joram Piatigorsky. Original illustrations by Ismael Carrillo

Can dead and alive occur simultaneously? The conventional answer based on science would be no, dead and alive are mutually incompatible states. Death wouldn’t exist without life, and life would need redefinition without death. Death is the final and inevitable consequence of life.

However, stories in my upcoming book, Notes Going Underground, explore the porous barrier between life and death…

9 07, 2019

Dipping Into History

By |2020-03-28T20:23:22-04:00July 9th, 2019|Categories: Blog, Perpectives|Tags: |1 Comment

Several weeks ago I went to the Avalon Theater in DC to see three silent movies – classics from an earlier era – accompanied by live music of the earlier times played by The Peacherine Ragtime Society Orchestra. The event recreated an evening in the 1920’s. What an unexpected thrilling evening! We saw Habeus Corpus (1928) starring Stan Laurel and Oliver Hardy, The Adventurer (1917) starring a very young Charlie Chaplin, and One Week (1920), an early masterpiece starring Buster Keaton. ... These masters were actors, yes, but also acrobats, and artists, reminding me that the beginning stages of new endeavors are far from being primitive.

21 06, 2019

Why Write?

By |2019-09-17T12:45:44-04:00June 21st, 2019|Categories: Blog, Writing is how we explore our place in the world|Tags: , , , , , , , , |1 Comment

Chapel of Bones in Evora, Portugal (Photo by Joram Piatigorsky)

During a recent talk at the outdoor Lisbon Book Festival, I was asked what drives me to write. While I was satisfied with my answer at the time, I realized I had skirted the question, “Why write?”

The question followed me in as I entered the famous Chapel of Bones in Evora, Portugal. There, a poem on a pillar encourages further reflection.

That last line – "The more you pause, the more you will progress" – makes me wonder whether I write to pause, to reflect and thus progress, whatever that might mean. Do I write to ‘progress’? ...

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16 05, 2019

The Art of Omission

By |2020-03-28T20:24:22-04:00May 16th, 2019|Categories: Blog, Writing is how we explore our place in the world|Tags: , , , , , , , , , , |0 Comments

Photo by Dmitry Ratushny, Unsplash.com Over the past month I’ve celebrated the April launch of my short stories, The Open Door and Other Tales of Love and Yearning, by engaging in four literary conversations with fellow authors members of our vibrant literary community. At the Kensington Park Library, my memoir workshop produced [...]

24 04, 2019

Saying “Yes”

By |2020-03-28T20:25:44-04:00April 24th, 2019|Categories: Blog, Perpectives|Tags: , , , , , , , , , , , , , , |0 Comments

Photo courtesy of Fynn Schmidt, Unsplash In the short story, Another, by Dave Eggers, the narrator is in Cairo against the advice of his government to deliver a package, which he successfully does in the opening sentence. We know nothing about who he works for or what’s in the package. That’s irrelevant. More [...]

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